000 01070cam a22003137a 4500
999 _c13178
_d13178
001 15770246
003 OSt
005 20181113135920.0
008 090610s2009 quc 001 0 eng
010 _a 2009424464
020 _a9780520242272 (v. 1 : paperback).
020 _a9780520242289 (v. 2 : paperback).
035 _a(OCoLC)ocn302061337
040 _beng
_cNLC
_dCDX
_dDLC
_erda
_aBLR
041 1 _aeng
_hfre
042 _alccopycat
082 0 4 _223
_a793.43 BAZ
_b012494
100 1 _aBazin, André,
_d1918-1958.
240 1 0 _aQu'est-ce que le cinéma?
_lEnglish
245 1 0 _a What is cinema? /
_cby André Bazin ; foreword by Jean Renoir ; new forward by Dudley Andrew ; essays selected and translated by Hugh Gray.
264 _aBerkeley :
_bUniversity of California Press,
_c2005.
300 _a2 v. ;
_c21 cm
336 _2rdacontent
_atext
337 _2rdamedia
_aunmediated
338 _2rdacarrier
_avolume
504 _aIncludes bibliographical references and index.
505 0 _aCover -- Title -- Copyright -- Foreword -- Contents -- Foreword to the 2004 Edition -- Introduction -- The Ontology of the Photographic Image -- The Myth of Total Cinema -- The Evolution of the Language of Cinema -- The Virtues and Limitations of Montage -- In Defense of Mixed Cinema -- Theater and Cinema Part One -- Theater and Cinema Part Two -- Le Journal d'un curé de campagne and the Stylistics of Robert Bresson -- Charlie Chaplin -- Cinema and Exploration -- Painting and Cinema -- Sources and Translator's Notes -- Index
520 _a André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François.
650 0 _aMotion pictures.
906 _a7
_bcbc
_ccopycat
_d3
_encip
_f20
_gy-gencatlg
942 _2ddc
_cBK